Ceramics: Handbuilding (tuition-free)
Adult Tuition-Free Class | FULL (Membership Required)
Come learn the basic techniques of hand-building and sculptural design in ceramics. Each session will include time for instruction, and for practicing new techniques. Concepts and theories of 3D and 2D design will be covered along with ideas of form and function. Let your hands learn to do whatever your mind can dream up!
What you will learn:
1. Basic techniques for hand-building: pinch, soft slab, and hard slab construction; scoring; carving
2. Sculptural concepts including additive and reductive processes
3. Basic glaze and underglaze techniques
4. Form and function
• Participants must have a valid Fleisher membership.
The studio fee is for the use of studio materials, glazing, and firing.
Firing Schedule: All work should be placed on the bisque firing shelf by Friday, February 20, and on the glaze firing shelf by Friday, February 27 to guarantee it will be fired by the last week of classes. Students can continue to drop off work for glaze firing until Friday, March 6. Finished work can be picked up during operational hours between terms, or the following term. We will store unclaimed work for one term only. Questions about the firing schedule can be directed to Scott Cooper, Senior Studio Technician at scooper@fleisher.org.
Please review your class schedule as not all classes meet through the week of March 9-13. All artwork and supplies must be removed from Fleisher’s Ceramics Studio shelving by March 13 unless registered for a Ceramics class during the upcoming Spring 2026 term.
Accessibility Note: This studio is accessible by elevator, but some auxiliary areas require stairs. For access needs or accommodations, contact adulteducation@fleisher.org.
Isaac Scott
Isaac Scott is a multimedia artist who aims to reflect, absorb, and reinterpret the world around him. Working in photography, painting, and ceramics, his work is rooted in observation. In 2020, he documented Black Lives Matter activism in Philadelphia and around the country following the murder of George Floyd by police. His photographs were published in New Yorker Magazine. Taking that experience and knowledge, he pushes his artwork forward in an effort to create, as Scott states, “a monument that reflects the voices, emotions, and experiences of his environment”. His ceramic sculptures contain a similar resonance as the photography, but are entirely abstract. They take familiar forms such as a chalice or a column in order to establish cultural parallels, and elevate the everyday to the level of history.
https://www.isaacspottery.com/