Draw and Paint with India Ink

Draw and Paint with India Ink

Adult Class | This program is completed

Any

3/22/2022-5/10/2022

1:00 PM-4:00 PM on Tue

$170.00

Member Discount Available

To assist you in preparing for this class, we have provided a link to the setup / test pages from the conference provider. If you have never used this conference service before please click on the link below so that your PC or device will be ready to participate in this class.

India ink is an ancient drawing and painting medium that allows for high contrast, spontaneity, and experimentation. Three projects: portrait, landscape, and abstract, will be the playground to learn and practice techniques and concepts introduced in class. 

This is a virtual class. It will be held online via ZOOM. Details on how to get set up with ZOOM will be included in your registration confirmation email.
 

  • Images, objects, inspiration reference material (for portrait, landscape, abstract)

    Paper to paint on (smooth water color paper or Bristol, 11”x14”)

    Paint brushes (a few assorted craft, watercolor, hardware store scruffy brushes)

    Pens with nibs, and/or a glass pen

    Viva paper towels

    X-acto knife

    Washi tape (MT Kamoi paper 15mmx10m roll) 

Kane, Jennifer

Jennifer Kane is a contemporary artist working in Central Pennsylvania and Southern California. She studied art, science, and theater at the University of Illinois, graduating with a BFA and MFA before moving to the State College area, where she has a dual career as a costume designer and conservation artist. Recent work is informed by her study of climate change, featuring new ways of using materials to physically interpret her subject and observations. The resulting mixed media works on paper were accepted into the main division of the Central Pennsylvania Festival of the Arts in 2018. This was Jennifer’s 15th year as a participating artist at the festival, where she has been an award winning invited artist. Jennifer’s other current abstract works include ‘Into the Future’, a digital landscape series about construction and destruction from her own on-site photos of concrete, and ‘Access Series’, colorful portraits of utility access portals with a corresponding essay about American access to power and sanitation.