Painting with Gouache (HYBRID: ZOOM with at least one in person class)

Painting with Gouache (HYBRID: ZOOM with at least one in person class)

Adult Class | This program is completed

Any

1/11/2022-3/1/2022

1:00 PM-4:00 PM on Tue

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$170.00

Member Discount Available

To assist you in preparing for this class, we have provided a link to the setup / test pages from the conference provider. If you have never used this conference service before please click on the link below so that your PC or device will be ready to participate in this class.

Click here to download app

Gouache is an opaque watercolor paint. It dries quickly and is easy to clean up. The saturated color and matte finish makes it ideal for photographing and printing, or for creating finished work to display. It can be used in combination with watercolor, ink, pencil, water soluble colored pencils, and pastels. Gouache is the painting medium of choice for many commercial artists and illustrators, and is popular for creating plein air studies.  

  • This class will be held virtually, via ZOOM, with at least one in person meeting.
  • Contact Jennifer at jenn_kane@hotmail.com for supply needs.
Kane, Jennifer

Jennifer Kane is a contemporary artist working in Central Pennsylvania and Southern California. She studied art, science, and theater at the University of Illinois, graduating with a BFA and MFA before moving to the State College area, where she has a dual career as a costume designer and conservation artist. Recent work is informed by her study of climate change, featuring new ways of using materials to physically interpret her subject and observations. The resulting mixed media works on paper were accepted into the main division of the Central Pennsylvania Festival of the Arts in 2018. This was Jennifer’s 15th year as a participating artist at the festival, where she has been an award winning invited artist. Jennifer’s other current abstract works include ‘Into the Future’, a digital landscape series about construction and destruction from her own on-site photos of concrete, and ‘Access Series’, colorful portraits of utility access portals with a corresponding essay about American access to power and sanitation.